The U 87 is probably the best known and most widely
used Neumann studio microphone. It is equipped with a large dual-diaphragm
capsule with three directional patterns: omnidirectional, cardioid
and figure-8. These are selectable with a switch below the headgrille.A
10 dB attenuation switch is located on the rear. It enables the microphone
to handle sound pressure levels up to 127 dB without distortion. Furthermore,
the low frequency response can be reduced to compensate for proximity
effect.
Applications: The U 87 Ai
condenser microphone is a large diaphragm microphone with three polar
patterns and a unique frequency and transient response characteristic.
Users recognize the microphone immediately by its distinctive
design. It is a good choice for most general purpose applications in
studios, for broadcasting, film and television. The U 87 Ai is used
as a main microphone for orchestra recordings, as a spot mic for single
instruments, and extensively as a vocal microphone for all types of
music and speech.
Acoustic features:
The U 87 Ai is addressed from the front, marked with the Neumann logo.
The frequency response of the cardioid and figure-8 directional characteristics
are very flat for frontal sound incidence, even in the upper frequency
range. The microphone can be used very close to a sound source without
the sound becoming unnaturally harsh. By means of a high-pass filter
interferences through subsonic and low frequencies are reduced remarkably.
Polar patterns:
The dual-diaphragm capsule is elastically mounted and protected by
a large headgrille. A switch below the headgrille selects the three
directional patterns: omnidirectional, cardioid and figure-8. A window
above this switch shows the symbol of the selected characteristic.
Electrical features:
The letter A in the name indicates a more recent generation, as compared
to the U 87 i microphones that were built from 1967 to 1986. Modifications
apply to the electronic components of the microphone only; the capsule
remained unchanged. The present-day circuitry increases the operational
headroom of the U 87 Ai by supplying the bias voltages for the capsule
through a reduced resistance. The result is a higher sensitivity of
10 dB for identical sound pressure levels, and an improved S/N ratio
of 3 dB.
Filter and attenuation:
A switch located at the rear attenuates the sensitivity by 10 dB. When
this switch is activated, the microphone accepts sound pressure levels
up to 127 dB (equivalent to a sound pressure of 45 Pa) without distortion.
An additional switch at the rear allows to change the microphone's
cutoff frequency. This reduces low frequency interference directly
at the input of the microphone amplifier. This setting also compensates
for the unavoidable bass boost that occurs with all pressure gradient
transducers when they are used at close distance (proximity effect).The
cardioid characteristic maintains a smooth frequency response at a
distance of 30 to 40 cm, the figure-8 characteristic even at a distance
of 15 to 20 cm.
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Pricing.
TLM 103:

The TLM 103 is the ideal large diaphragm microphone for all professional
and semi-professional applications requiring the utmost in sound quality
on a limited budget.
By utilizing the tried and true transformerless circuit found in numerous
Neumann microphones, the TLM 103 features yet unattained low self-noise
and the highest sound pressure level transmission. The capsule, derived
from that used in the U 87, has a cardioid pattern, is acoustically
well-balanced and provides extraordinary attenuation of signals from
the rear.
The TLM 103 is available in satin nickel and matte black. Delivery
includes an SG 1 metal swivel mount and a wooden jeweler's box.
Applications:
Due to the universal cardioid pattern, straightforward handling, extremely
low self-noise level, and finally, the price, the TLM 103 is predestined
for all demanding applications from home recording to professional
broadcasting and commercial recording studios.
Polar pattern:
The TLM 103 is equipped with a large diaphragm capsule with cardioid
pattern. By focusing on this pattern – used in most recording
situations – the attenuation of unwanted rear sound has been
optimized. Off-axis sounds are rendered naturally while isolation is
increased. This also leads to a high feedback suppression when the
microphone is used in live situations or where loudspeaker playback
is a factor.
Acoustic features:
The TLM 103 is addressed from the front, marked with the red Neumann
logo on the microphone body. The K 103 large diaphragm capsule is based
on the K 87, well known from the U 67 / U 87 microphones.The capsule
has a flat frequency response up to about 5 kHz, and above that, a
wide flat 4 dB presence boost. The large wire mesh headgrille
protects the capsule from plosive sounds and effectively prevents pop
noises. These characteristics are achieved without resorting to corrective
resonance effects.Therefore, the microphone maintains an excellent
impulse response and reproduces the finest details of music and speech
without coloration.
Electrical features: With just
7 dB-A / 17.5 dB CCIR the self-noise level of the TLM 103 is so reduced
that even the smallest signals are reproduced basically noise-free.
As it is capable of handling sound pressure levels up to 138 dB without
distortion, the TLM 103 provides a dynamic range of 131 dB, according
to DIN/IEC 651.The letters TLM stand for "transformerless
microphone". With TLM technology the usual output transformer
is replaced by an electronic circuit. As with traditional transformers,
it ensures good common mode rejection, and prevents RF interference
that may influence the balanced audio signal.
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Pricing.
TLM 49 :

The TLM 49 is a large-diaphragm studio microphone with a cardioid
directional characteristic and a warm sound which is especially optimized
for vocal performance. It is supplied as a set, with an elastic suspension.
The design is inspired by that of the
legendary M 49 and M 50 microphones of the 1950s. Naturally the TLM
49 has the typical Neumann fine matte nickel finish. The “sound design” is
also oriented toward that of the M 49 and the U 47.
By combining its retro look with proven Neumann transformerless
circuit technology, this microphone ensures low self-noise and the
use of high gain levels.
Applications:
During the development phase, the sound was adjusted in extensive
practical tests, so as to make the TLM 49 ideal particularly for
vocal and speech recording. However, in addition, it is also suitable
for instrumental applications in professional production studios
and demanding home recordings.
Polar pattern: The
large-diaphragm capsule of the TLM 49 provides a cardioid directional
characteristic with a tendency toward supercardioid, due to the special
capsule construction. Following the example of the M 49, high frequencies
are more directional. The capsule diameter is 34 mm. The front
of the microphone is indicated by the red Neumann logo on the microphone
body. The capsule is oriented so that the microphone is addressed
from the front.
Acoustic features:
The TLM 49 uses the famous K 47 capsule, which was also used in the
M 49 and the U 47. The capsule has a linear frequency response up
to the upper mid-range. Above 2 kHz there is a gentle presence boost
up to 3 dB. The capsule is enclosed by a large microphone headgrille,
which is acoustically very open and is hence neutral with regard
to the sound.
Electrical features: The
letters TLM stand for “transformerless microphone”.
With TLM technology the usual output transformer is replaced by an
electronic circuit. As with traditional transformers, it ensures
good common mode rejection, and prevents RF interference that may
influence the balanced audio signal. Noise signals which affect
the balanced modulation line are therefore effectively suppressed.
The microphone can operate at sound pressure levels of up to 114
dB without distortion, and provides a dynamic range of 102 dB (A-weighted).
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Pricing.