The ADA-8XR is a multi-channel AD/DA converter that can be configured
in numerous ways using plug-in modules to suit a very wide variety
of applications. It can be a 16 channel AD converter, a 16 Channel
DA converter or an 8 channel AD/DA converter. It can be a multi-channel
FireWire interface, or an AES/EBU / AES3 / SPDIF Digital to Analogue
or Analogue to Digital converter. It can act as a high resolution Pro
Tools Interface for recording or post-production. Similarly it can
work with a wide range of other popular Digital Audio Workstations
(DAWs) including Logic, Cubase, Nuendo and others. In fact, there's
not a lot it can't do when it comes to digital audio conversion.
Applications
The ADA-8XR is the top professionals' converter of choice in the most
exacting applications in music and sound recording, mastering, broadcast
and post-production. Offering the cleanest and most transparent conversion
available, the ADA-8XR is ideal for producers, engineers and songwriters
wanting to produce top-quality results when recording, tracking & overdubbing,
mixing to stereo or surround, mastering and monitoring. The ADA-8XR
is perfect for recording vocal, single instruments, drums or orchestra
and is just as much at home providing multiple outputs for external
analogue summing. It is in use in the top studios around the world
as well as being used in numerous film sound tracks.
Design Philosophy
The ADA-8XR takes the philosophy of the widely-acclaimed Prism Sound
converter range a stage further: Now, the goals of ultimate sound
quality, unbeatable performance and un-matched versatility have been
realised in a modular multi-channel, 24-bit 192kHz-capable format.
The ADA-8XR provides A/D and D/A conversion and the essential digital
interfaces with a stereo monitor mix output in digital and analogue
formats.
Clocking and Synchronization
Unlike most other converter systems, the ADA-8XR is ideal as a master
clock for your entire system, whether running from its precision
internal reference or from an external source. No external clock
source can improve the performance or influence the sound of the
ADA-8XR. In addition, the ADA-8XR can run in Pro Tools Loop Sync
mode, or lock to AES3, AES11 or Wordclock. The ADA-8XR delivers your
recordings with perfect transparency, whatever the setup.
Configuration options
The ADA-8XR is a modular system and this provides great flexibility
when creating systems with larger numbers of channels. Whether you
need just a few channels of high-quality conversion or large a multi-track
setup, the ADA-8XR is the natural choice. Using combinations of the
basic system options and the range of digital interfaces you can
build the system that perfectly matches your requirements. For more
detail see the ADA-8XR Configurations section.
Call (303) 443-9822 OR Email Sales@WindOverTheEarth.Com For
Pricing.
ORPHEUS:

Orpheus is a FireWire interface for personal recording and sound
production, for professional musicians, songwriters, engineers and
producers. Orpheus is ideal for music and sound recording, production & monitoring,
stem-based mastering and analogue summing.
Orpheus provides Prism Sound's renowned performance and sound quality
in a dedicated FireWire unit compatible with Windows XP & Vista
and MAC OS X 10.4x (Intel & PPC).
Orpheus has line, microphone and instrument inputs, good foldback
and stereo or surround monitoring capabilities, ADAT and SPDIF digital
I/O plus support for external MIDI devices. Microphone inputs include
MS matrix processing and high-performance digital sampling-rate conversion
(SRC) is available for digital inputs or outputs.
Orpheus signal path
Eight analogue input channels and up to 10 digital input channels are
available (SPDIF on RCA/coax plus ADAT optical) as DAW inputs through
the host's audio driver. Similarly, eight analogue output channels,
up to 10 digital output channels and stereo headphone outputs can
play 22 different channels. For low-latency foldback or monitoring
to headphones or main outputs, each output pair (1-2, 3-4 etc) can
be driven with an individual local mix of any selection of inputs
through the controller applet. All inputs are electronically balanced
with automatic unbalanced operation. Outputs are electronically balanced
with 'bootstrapping', i.e. level is maintained if one leg is grounded.
Call (303) 443-9822 OR Email Sales@WindOverTheEarth.Com For
Pricing.
MEA2:


The MEA-2 is a stereo or 2-channel, four-band precision analogue
equalizer with stepped Q/shelf, frequency and cut/boost controls on
each band. It is designed for recording and mastering applications
where ultimate sonic performance, musicality and precision are required.
Applications
Top recording and mastering engineers still use some analogue signal
processing equipment, finding the familiar correlation between sound
and control better to work with. However, most analogue equalizers
have either continuously variable controls, making precise adjustments
difficult, or just a few coarsely-stepped controls. Many fail to
meet the standards of audio performance consistent with digital media.
The MEA-2 provides fully-stepped controls for precision and repeatability
for ALL parameters.
The MEA-2 is extensively used in mastering but also works well on
an insertion point in recording or mixing. The MEA-2 has stepped controls
with a fine 0.5dB gain adjustment at low cut/boost settings. Maximum
cut/boost per band is 8dB.
The MEA-2 is an equalizer that can provide precise equalization with
minimal side-effects - it is designed to provide a very transparent
signal path where only the desired equalization effect is obtained
without adding any particular sonic signature.
Pedigree and design philosophy for the Maselec Master Series
The first to appear in the range of Maselec Master Series products,
the MEA-2 was developed for Prism Sound by engineer/producer Leif
Mases. Leif's work with a diverse range of artists including Abba,
Led Zeppelin, Jeff Beck and Black Sabbath as well as co-ownership
of the renowned Marcus Studios in London provided the essential experience
using the "tools of the trade" needed to define and implement
new and improved professional audio components.
Also qualified in electronic design, Leif Mases developed the highly
acclaimed Maselec 9001 retrofit equalizer for SSL 4000 mixing consoles
used in film sound and recording studios and currently also builds
custom consoles and equipment for mastering and other applications.
The combination of Leif Mases' experience with the creative process
and Prism Sound's focus on engineering and technical excellence ensure
that the Maselec Master Series delivers great-sounding audio in an
intuitive and easy-to-use package.
Using the MEA-2
The MEA-2 is a very special Equalizer that has been designed to achieve
a certain sound. It has a distinctive character, discernable both
sonically and in the unique shape of its EQ curves.
With 4 bands per channel, shelving/peaking/Q selection on each and
84 interleaved frequency settings per channel, the MEA-2 provides great
flexibility and precision.
Each channel can be by-passed individually, indicated by illuminated
push buttons on the front panel.
The MEA-2 provides the warmth, punch or air you need with a minimum
of effort and without compromising the signal path. There's no easy
way to describe it though, so contact us now to arrange a demo. Great
sounding EQ is right behind the controls!
Look at the MEA-2 technical specifications page for detailed technical
data or complete our brief enquiry form to ask a question about the
MEA-2.
To request a demo or to order an MEA-2, please complete our demo/quotation
request form.
Ideal companions for the the MEA-2 are the MLA-2 Compressor, the
AD-2 Stereo A/D converter and the DA-2 Stereo D/A converter.
Call (303) 443-9822 OR Email Sales@WindOverTheEarth.Com For
Pricing.